View Full Version : DualDisc anybody tried this yet?
Gregory Kleverlaan
03-05-2005, 08:19 AM
A relatevely new audio format called DualDisc has emerged with the first two
titles being released on Oct. 26, 2004.
DualDisc is a new music product that combines a CD and DVD on a single disc.
In addition to a full album on the CD side, the DVD side provides the full
album in enhanced sound (such as Surround Sound and/or DVD-Audio or LPCM
stereo), and also includes a wide range of special features and exclusive
content such as music videos, interviews, photo galleries, artist
commentaries, web links, concert footage and lyrics
It is a format simialar to a hybrid SACD except that a DualDisc is usually
double sided.
For more information visit.
http://www.surroundablog.blogs.com/
And choose DualDisc down the Right hand side menu
Just wondering if anybody has heard, tried or experienced these discs yet?
Or care to commemt on this new format.
The Gadget Shop
03-05-2005, 08:19 AM
The spec originally allowed for a dual layer system, but due to $$, there
isn't much content...
"Mixed-density dual-layer discs
One of the requirements originally considered for DVD-Audio was that
discs in the new format be playable on existing CD players. A frequent topic
of discussion in ISC/WG-4 meetings was the possibility of achieving this
with
a mixed density disc. Based on the dual-layer technology developed for
DVD, these discs would combine a conventional CD layer with a
semitransparent
layer containing high-density DVD information. The idea was
that the disc would play from the CD layer if placed in a conventional
CDAudio
player, while playing the DVD-Audio program when played in a DVDAudio
player.
To date, no one has announced any plans to manufacture or release a
product combining a CD layer and a DVD-Audio layer into one disc. One
complicating factor is that the charter of Working Group-4 did not extend
to specifying player capabilities (which is the province of another working
group). Another problem is that, at least at the present time, the cost to
manufacture a mixed density disc is significantly greater than the cost of
manufacturing a single layer DVD disc, and this cost in turn is quite a bit
greater than the cost of manufacturing a conventional CD.
While it is certain that manufacturing costs for DVD disc replication and
dual-layer replication will fall, it is unlikely that these will approach
the cost
of conventional CD manufacturing for quite some time. That makes it
unlikely that a mixed-density disc with a CD layer will be incorporated into
DVD-Audio anytime in the near future."
--
Cheers, Jason (remove ... to reply)
Online DVD Rental Comparison:
http://gadgetaus.com/dvdrental.html
Peter Allen
03-05-2005, 08:19 AM
On Sat, 12 Mar 2005 19:00:03 +0800, "Alan Rutlidge"
<rutlidge@<No_Spam>.iinet.net.au> wrote:
>
>"Gregory Kleverlaan" <g12345567@nospam.yahoo.com.au> wrote in message
>news:39fstvF63uluuU1@individual.net...
>> A relatevely new audio format called DualDisc has emerged with the first
>two
>> titles being released on Oct. 26, 2004.
>>
>> DualDisc is a new music product that combines a CD and DVD on a single
>disc.
>> In addition to a full album on the CD side, the DVD side provides the full
>> album in enhanced sound (such as Surround Sound and/or DVD-Audio or LPCM
>> stereo), and also includes a wide range of special features and exclusive
>> content such as music videos, interviews, photo galleries, artist
>> commentaries, web links, concert footage and lyrics
>>
>>
>> It is a format simialar to a hybrid SACD except that a DualDisc is usually
>> double sided.
>>
>> For more information visit.
>>
>> http://www.surroundablog.blogs.com/
>>
>> And choose DualDisc down the Right hand side menu
>>
>> Just wondering if anybody has heard, tried or experienced these discs yet?
>> Or care to commemt on this new format.
>>
>>
>
>I have several titles in my collection.
>
>The format isn't without its problems. The CD layer is not 100% Red Book
>compliant and may not play in some CD players. I found the easiest way to
>get around this is to simply copy the CD side onto a CD-ROM and play them
>back on a player that plays CD-Rs.
>
>On most titles the CD layer has CD-TEXT.
>The DVD layer can have several different audio in addition to a DVD-V
>component.
>For instance the Blondie - Curse of Blondie DualDisc has the following
>features -
>
>CD layer on one side
>DVD side - Video clip of "Good Boys"
> - MLP 5.1 Advanced Resolution Audio 24/48
> - Dolby Digital 5.1
> - Dolby Digital 2.0
> - entire album in MP3 (Dolby Headphone)
> - AAC (MP4) files of the entire album
> - CD-ROM features
> - on screen lyrics
>
>Not all DualDiscs will have the same features. You need to check the covers
>carefully to determine how the content is presented.
>
>Some titles I have are :-
>Blondie - The Curse of Blondie
>AC/DC - Back in Black
>Destiny's Child - Destiny Fulfilled
>Yo-Yo Ma - Plays Ennio Morricone
>
>Cheers,
>Alan
>
Let me state my bias first, though it is the bias of experience. I
started getting into high resolution audio and multichannel with an
SACD player and the trialing of both DVD-A and SACD disks about 3
years ago. I have no doubt that the DVD-A format is equal in quality
to SACD, so I am not going to criticise either on those grounds.
However, I am interested in many kinds of music, whether classical or
not, and I ended up devoted completely to SACD for the meantime. Why?
1. Repertoire.
2. Repertoire.
3. Repertoire.
4. The ability to play discs on any CD player (car, kitchen, bedside,
portable, friend's place etc). Only applicable to hybrid SACDs of
course, which means essentially all new ones for some time now.
5. A clear perception that SACD had been designed for the music lover
and was developed "out of" CD, whereas DVD-A seemed to come more from
a "DVD-Video" mindset. One indication of this is that the only
"backwards" compatibility mandated on DVD-As was a Dolby track. This
has two problems - firstly a music lover (who doesn't haver to an
audiophile) might have no interest in cinema or TV and home theatre,
and therefore not be able to play the disc in any form regardless. Or
they might have a DVD in a TV area with sound adequate (to them) for
cinema, and stereo equipment for music listening elsewhere. Secondly,
you don't have to have particularly Golden Ears to find Dolby at these
compression rates unacceptable as a purely musical source. You can get
away with a lot if there is a film to distract attention, but it must
be remembered that we are talking about a music medium here.
6. You guessed it, repertoire.
Further to point 5, I will say that, even without a DVD-A player, some
discs did give me pleasure, but by and large these were produced by
very specialized, enthusiastic and SMALL companies.
These discs tended to be ALREADY two-sided, and have up to 24 bit,
96kHz stereo PCM versions available through a DVD-Video player and a
suitable A/V amplifier, and the quality of this can blow me away. The
others that were sonically satisfactory, but rare, had DTS at 1500
Kbps (cf Dolby's maximum of 448 Kbps).
So where does this leave DualDisc? I don't know really. Obviously
there is potential to obviate the previous lack of backwards
compatibility with a genuine music audio standard rather than a cinema
standard, but I wonder how these discs will fare in car players, for
example. There always was the possibility of mandating CD or higher
quality when the discs were used in DVD-V players, as indicated by the
examples above, but this was the road not taken. Whereas, the SACD
group knew they could include a CD layer on the same side as the SACD
layer from the start.
Repertoire is another problem - if sticking a CD on the back of a
DVD-A is going to make the medium, then there's a lot of catching up
to do, and I wonder how easy it is to manufacture these disks.
I look at the above specific track listing, and the words that come to
mind are "dog's breakfast". All those audio formats - why can't we be
given the music in high quality form and be allowed to make copies
into other formats as we see fit, so long as it's only for our own
purposes (ie reasonable usage rights).
CD-Rom features? - please just give me the website addresses (and a
password if necessary).
Video clip? - that's what DVD-Video is for. I'd rather have audio only
releases, interspersed with well-thought out DVD-Video releases, than
an assortment of bitsy "extras" on cluttered DVD-A's.
Lyrics on the disk? - that was one feature that really excited me when
I first went into DVD-As, until I discovered that I was expecting
scrolling lyrics as the music played, whereas the reality was some
eye-wearing static pages on the TV screen separate from the music.
Give me a booklet anyday.
Of course it is now a long time since I bought a DVD-A, and perhaps
Things Have Changed. If so, I'll be glad to hear the other side of the
story.
Cheers,
Peter
PS I've never even seen a DualDisc in Australia - are they around?
"Gregory Kleverlaan" <g12345567@nospam.yahoo.com.au> wrote in message
news:39fstvF63uluuU1@individual.net...
> A relatevely new audio format called DualDisc has emerged with the first
two
> titles being released on Oct. 26, 2004.
>
> DualDisc is a new music product that combines a CD and DVD on a single
disc.
> In addition to a full album on the CD side, the DVD side provides the full
> album in enhanced sound (such as Surround Sound and/or DVD-Audio or LPCM
> stereo), and also includes a wide range of special features and exclusive
> content such as music videos, interviews, photo galleries, artist
> commentaries, web links, concert footage and lyrics
>
>
> It is a format simialar to a hybrid SACD except that a DualDisc is usually
> double sided.
>
> For more information visit.
>
> http://www.surroundablog.blogs.com/
>
> And choose DualDisc down the Right hand side menu
>
> Just wondering if anybody has heard, tried or experienced these discs yet?
> Or care to commemt on this new format.
>
You obviously missed my post here a while ago on "New Discs Formats" where I
discussed these. I have 2, ACDC - Back in Black (brilliant, highly
recommend) and Neil Young's - Greatest Hits (the DVD-V side shows a LP
player and the tone arm tracking).
IMO not a bad idea except the DVD-V is region coded, the discs are shiny on
both sides so you have to be careful in dim light to pick which side and
which title and since there is no "label side they *must* be stored in the
box or risk damage because you can't put one down upside down temporary as
there is now no upside. At the end of the day SACD still kicks it's arse
for simplicity of use and quality.
BTW just in case anyone is wondering there is *NO* special copy protection
at this time and they can be "backed up" very easily ;-)
Regards TT
Trevor_S
03-05-2005, 08:19 AM
"Alan Rutlidge" <rutlidge@<No_Spam>.iinet.net.au> wrote in
news:4232cbb8$0$5501$5a62ac22@per-qv1-newsreader-01.iinet.net.au:
<snip>
>
> The format isn't without its problems. The CD layer is not 100% Red
> Book compliant and may not play in some CD players. I found the
> easiest way to get around this is to simply copy the CD side onto a
> CD-ROM and play them back on a player that plays CD-Rs.
All very ileagel of course and in breach of copyright.
--
Trevor S
"Unthinking respect for authority is the greatest enemy of truth."
-Albert Einstein
Alan Rutlidge
03-05-2005, 08:19 AM
"Trevor_S" <bill@gates.com> wrote in message
news:1110685066.39fd2d66135701cadccffc7126ca08b7@t eranews...
> "Alan Rutlidge" <rutlidge@<No_Spam>.iinet.net.au> wrote in
> news:4232cbb8$0$5501$5a62ac22@per-qv1-newsreader-01.iinet.net.au:
>
> <snip>
>
> >
> > The format isn't without its problems. The CD layer is not 100% Red
> > Book compliant and may not play in some CD players. I found the
> > easiest way to get around this is to simply copy the CD side onto a
> > CD-ROM and play them back on a player that plays CD-Rs.
>
> All very ileagel of course and in breach of copyright.
>
> --
> Trevor S
>
>
> "Unthinking respect for authority is the greatest enemy of truth."
> -Albert Einstein
Trevor are you suggesting I am advocating the pirating of music?
Just to put the record straight I'm simply reporting my observations on the
format.
Cheers,
Alan
"Alan Rutlidge .iinet.net.au>" <rutlidge@<No_Spam> wrote in message
news:4233ca89$0$30064$5a62ac22@per-qv1-newsreader-01.iinet.net.au...
>
> "Trevor_S" <bill@gates.com> wrote in message
> news:1110685066.39fd2d66135701cadccffc7126ca08b7@t eranews...
> > "Alan Rutlidge" <rutlidge@<No_Spam>.iinet.net.au> wrote in
> > news:4232cbb8$0$5501$5a62ac22@per-qv1-newsreader-01.iinet.net.au:
> >
> > <snip>
> >
> > >
> > > The format isn't without its problems. The CD layer is not 100% Red
> > > Book compliant and may not play in some CD players. I found the
> > > easiest way to get around this is to simply copy the CD side onto a
> > > CD-ROM and play them back on a player that plays CD-Rs.
> >
> > All very ileagel of course and in breach of copyright.
> >
> > --
> > Trevor S
> >
> >
> > "Unthinking respect for authority is the greatest enemy of truth."
> > -Albert Einstein
>
> Trevor are you suggesting I am advocating the pirating of music?
> Just to put the record straight I'm simply reporting my observations on
the
> format.
>
> Cheers,
> Alan
>
Hi Alan,
While Trevor is 110% correct in his statement I think he is engaged in a
little "lower limb lengthening" here and looking for a reaction ;-) BTW
he is one of the good guys that will actually talk sense (even if he is from
FNQ) :-))
I have discussed this previously with him and he is of similar mind to us
i.e our legally obtained software should be allowed to be used in any form,
on any replay device and backed up for protection purposes while in our
possession.
Which now leads onto the 2 million iPods sold at Xmas are now ***ALL***
being used illegally and the owners are breaking the law. Unless of course
they are actually buying their mp3s over the net - Yeah right! I also
suppose no one here has ever taped a LP to listen to in their car either?
Funny how recent discussion here centred on LP to CD-R techniques and **NO
ONE** mentioned it was also in breach of copy right. But then that must be
OK 'coz it's archiving -right? ;-) Ahhhh all the criminals in here better
start to watch out for Parrot poo on their shoulders and loss of eyesight in
one eye :-))
Cheers TT
newsreader
03-05-2005, 08:19 AM
"Peter Allen" <pdaNOSPAM@melbpcDOT.org.au> wrote in message
news:ljs5315latdd01toerkp397ffc0972lm0c@4ax.com...
>
> Let me state my bias first, though it is the bias of experience. I
> started getting into high resolution audio and multichannel with an
> SACD player and the trialing of both DVD-A and SACD disks about 3
> years ago. I have no doubt that the DVD-A format is equal in quality
> to SACD, so I am not going to criticise either on those grounds.
> However, I am interested in many kinds of music, whether classical or
> not, and I ended up devoted completely to SACD for the meantime. Why?
>
> 1. Repertoire.
>
> 2. Repertoire.
>
> 3. Repertoire.
>
If repertoire is a major factor why even bother with SACD ?
As italo sez most of the repertoire is from the Sony/Columbia catalogues.
If you are concerned with sound quality, SACD doesn't factor much either.
There are several Redbook CDP's that will (at a cost) easily sound better
than SACD.
IF you already have a sizable Redbook CD collection, buying one of these
makes better sense than getting into a stillborn formats like SACD or DVD-A.
Peter Allen
03-05-2005, 08:19 AM
On Sun, 13 Mar 2005 11:18:34 +1100, "Italo"
<italotettoni.nospammingallowed@gmx.net> wrote:
>"Peter Allen" <pdaNOSPAM@melbpcDOT.org.au> wrote in message
>news:ljs5315latdd01toerkp397ffc0972lm0c@4ax.com...
>> On Sat, 12 Mar 2005 19:00:03 +0800, "Alan Rutlidge"
>> <rutlidge@<No_Spam>.iinet.net.au> wrote:
>
>> Let me state my bias first, though it is the bias of experience. I
>> started getting into high resolution audio and multichannel with an
>> SACD player and the trialing of both DVD-A and SACD disks about 3
>> years ago. I have no doubt that the DVD-A format is equal in quality
>> to SACD, so I am not going to criticise either on those grounds.
>
>
>Yes but then you proceed to do just that without much technical
>justification.
>
No, you are dead wrong.
Nowhere do I compare or comment on the relative merits of the
fundamental SACD or DVD-A audio formats (ie DSD vs MLP-compressed
PCM).
All I said was that I find both well-recorded SACD sound, and such
well-recorded 96 kHz PCM that I have heard (not exactly DVD-A, but a
good indicator), to be stunning, compared to CD. And Dolby Digital to
be an embarrassment in the company of CD. There's nothing terribly
revolutionary in that.
I DO compare the backwards compatibility of DVD-A and SACD, and the
practicability of the two media, and my perception of the focus and
function of their design. Those comments remain valid, for me at least
:-)
>
>> However, I am interested in many kinds of music, whether classical or
>> not, and I ended up devoted completely to SACD for the meantime. Why?
>>
>> 1. Repertoire.
>>
>> 2. Repertoire.
>>
>> 3. Repertoire.
>
>
>As it happens most of the 'repertoire' on SACD is owned by SONY or its
>subsidiaries
>
Said without justification, and certainly not reflected in my
collection.
But does it matter? Even if it were true, anyway you put it, you're
only reiterating my point. The format which provides the music we want
to hear is the one we will buy, which is stating the bleedin' obvious.
But, if you want to get anal about it, here's the stats for what I
have, which is 66% classical, 34% jazz, blues, folk & "rock".
I grant you Sony/Columbia leads the pack, but it in no way dominates
the whole, even with "subsidiaries". However even that top position is
skewed, since the only big SACD package purchase I've made is the
Columbia Dylan box set. Take that out, and Sony/Columbia drops to 3rd
place, beaten by Channel Classics and Harmonia Mundi. In the mid-term,
I think that's closer to being realistic.
If there's a salient point in gere, it's that my SACD collection is
dominated by independent and specialist companies. And if the
percentages add up to 105%, well, that's rounding for you.
Sony/Columbia 20%
Harmonia Mundi 10%
Channel Classics 10%
Chandos 6%
Telarc 5%
Linn 4%
Abkco 3%
Phillips 3%
Pentatone 3%
Decca 3%
BIS 3%
DMP 3%
Hyperion 3%
San Francisco Symphony 3%
DG/Archiv 2%
Virgin 2%
Audio Fidelity 2%
Mobile Fidelity 2%
One Little Indian 2%
Praga 2%
Chesky 2%
Marc Aurel 2%
Bona Nova 1%
RCA 1%
Vanguard 1%
Audite 1%
Geffen 1%
EMI 1%
Verve 1%
Analogue Productions 1%
Rounder 1%
Chess 1%
>
>> 4. The ability to play discs on any CD player (car, kitchen, bedside,
>> portable, friend's place etc). Only applicable to hybrid SACDs of
>> course, which means essentially all new ones for some time now.
>
>
>Do a search on google regarding SACD and problems playing in standard CD
>players as well as DVD players, you'll find plenty of examples.
>
I have hit no problems with a dozen or do CD players, including car
players, portables, boom boxes and CD decks, nor has anyone else I
know. This doesn't suggest there is a major problem.
How many people who don't have problems rush to a forum to advertise
the fact? You need more than complaints registered online - a more
scientific approach is needed which gives an accurate idea of the
percentage of problems with players of different types and ages.
I'm not so stupid as to try playing a hybrid SACD on an ordinary DVD
player. Why WOULD you expect that to work? These players aren't
designed to filter out the existence of an SACD layer, they're
designed to play single and dual layer DVD-Vs. And hybrid SACDs only
claim to be playable in a CD player, not a DVD player that happens be
compatible with CD as well.
Having said that obviously there will a few cases of incompatibility.
Heck, I've had a number of CDs over the years that will play on one CD
player and won't on another. Manufacturer's tolerances etc. It's the
same (worse, in fact) with DVD-Vs on DVD-V players.
In any case, CD player manufacturers have long been aware that their
players are expected to be able to play hybrid SACDs, since the
overall thickness of the disc, and the characteristics of the CD layer
comply with the CD standard.
DuoDisk has a much, much bigger problem in this area, and little
repertoire. The designers of DVD-A didn't even start off considering
that it might possibly be a good idea to be compatible with the
current existing music standard of CD (those that suggested it were
outvoted), so what's YOUR point?
>
>> 5. A clear perception that SACD had been designed for the music lover
>> and was developed "out of" CD, whereas DVD-A seemed to come more from
>> a "DVD-Video" mindset.
>
>
>SACD came straight out of the fact that SONY was going to lose the lucrative
>copyright to CD manufacturing technology and needed to come up with another
>propretary format, again all the info is freely available on the net.
>
G'arn with your conspiracy theories. Of course companies want to make
money, but this is fundamentally about riding the DVD-Video wave to
develop a better quality sound medium. Are you against that?
If you don't want it, don't buy it.
>
>One indication of this is that the only
>> "backwards" compatibility mandated on DVD-As was a Dolby track.
>
>
>Or a DTS track or a stereo track etc... it depends on disc and manufacturer
>not on the DVD-A standard.
>
>
Read my fingers. These other formats are optional. Dolby is mandated.
That's why ALL DVD-As have a Dolby track, but only A FEW have DTS or
stereo PCM.
IMO they should have had 48kHz PCM mandated as well, so you would have
DAT standard audio which is playable on any DVD player. It's a
different approach to hybrid SACD, but it makes a bit more sense.
However, perhaps that's not technically feasible on a one-sided DVD-A
disk?
>This
>> has two problems - firstly a music lover (who doesn't haver to an
>> audiophile) might have no interest in cinema or TV and home theatre,
>> and therefore not be able to play the disc in any form regardless. Or
>> they might have a DVD in a TV area with sound adequate (to them) for
>> cinema, and stereo equipment for music listening elsewhere. Secondly,
>> you don't have to have particularly Golden Ears to find Dolby at these
>> compression rates unacceptable as a purely musical source. You can get
>> away with a lot if there is a film to distract attention, but it must
>> be remembered that we are talking about a music medium here.
>
>
>Since there are many SACDs out there which can only be played on SACD
>players your point about compatibility is?
>
Basically that the non-hybrid SACD is a rarity in recent releases.
In more detail, firstly, that the position of the person with interest
in audio and not video, and having equipment to suit that preference,
is as follows:
1. This person can't play any DVD-As without buying extra equipment.
And he will want a DVD-A player that doesn't require a TV attached for
OSD setup or use.
2. These days I see very few new SACDs that aren't hybrid. Therefore
this person can play most SACDs through their CD player, and without
buying new equipment.
3. All this person requires to play any SACD (hybrid or not) is an
SACD player, of which there are many that don't have DVD-V capability
and have no requirement for a TV to be fully useable. I have one of
these myself - it behaves exactly like a CD player in its basic
functionality.
Secondly, that a person interested in audio quality, but without a
DVD-A or SACD player, and with a CD player and a DVD player, will find
the Dolby Digital on DVD-A of poor quality compared with the CD layer
of a hybrid SACD.
>
>> 6. You guessed it, repertoire.
>
>
>See point 1-3
>
See response to same :-)
>
>
>> Further to point 5, I will say that, even without a DVD-A player, some
>> discs did give me pleasure, but by and large these were produced by
>> very specialized, enthusiastic and SMALL companies.
>>
>> These discs tended to be ALREADY two-sided, and have up to 24 bit,
>> 96kHz stereo PCM versions available through a DVD-Video player and a
>> suitable A/V amplifier, and the quality of this can blow me away. The
>> others that were sonically satisfactory, but rare, had DTS at 1500
>> Kbps (cf Dolby's maximum of 448 Kbps).
>>
>> So where does this leave DualDisc? I don't know really. Obviously
>> there is potential to obviate the previous lack of backwards
>> compatibility with a genuine music audio standard rather than a cinema
>> standard, but I wonder how these discs will fare in car players, for
>> example. There always was the possibility of mandating CD or higher
>> quality when the discs were used in DVD-V players, as indicated by the
>> examples above, but this was the road not taken. Whereas, the SACD
>> group knew they could include a CD layer on the same side as the SACD
>> layer from the start.
>
>
>Again do a search on google and see how many problems people have had
>playing SACDs on either their car CD players and/or standard CD player. Also
>how do you play discs which are strictly SACDs without a SACD player?
>
First point you're repeating. Second point, answer is you can't. But
you knew that.
I think you're just being stubborn about hybrid SACD being so much
better designed in the first place and so far ahead of DuoDisc. If
Duodisc turns out to be a goer and cheap, so be it. It doesn't worry
me and I'm ready to change formats if it pans out that way. I'm just
stating facts as I experience them at this moment. We live in
revolutionary times.
In fact, I doubt that DuoDisc is the crucial factor in what happens
over the next two or three years. That time is going to dominated by
high definition video format wars, and along with that goes the
decisions made about audio on those disks. It seems likely that the
audio will be CD quality, and possibly better than that. If the
latter, then the landscape changes completely for SACD and DVD-A. I
ain't laying bets on anything!!
>DVD-A discs from day one can be played on any DVD players regardless of
>whether it is a DVD-A player or not. The manufacturer rightly guessed that
>CD only players would eventually disappear.
>
True at the low end of the market, and bad implications for people
forced to buy DVD players just so they can play their CDs. You simply
don't get the same quality for the same money.
Very untrue for mid and high end equipment. Indeed, there has been a
resurgance lately in good stereo equipment (no surround capability)
and in high-end CD players.
>
>> Repertoire is another problem - if sticking a CD on the back of a
>> DVD-A is going to make the medium, then there's a lot of catching up
>> to do, and I wonder how easy it is to manufacture these disks.
>
>
>About as easy as manufacturing a double sided DVD-video disc or a dual
>layerd SACD disc I'd say.
>
Well, if that were true, it wouldn't have taken so long to figure out
the layer thickness limitations etc that delayed the concept for so
long. The DVD consortium has being struggling for years to get a
viable design that incorprates a CD layer onto DVD-A.
>
>> I look at the above specific track listing, and the words that come to
>> mind are "dog's breakfast". All those audio formats - why can't we be
>> given the music in high quality form and be allowed to make copies
>> into other formats as we see fit, so long as it's only for our own
>> purposes (ie reasonable usage rights).
>
>
>Agree with you there, maybe you should write to SONY about this since SONY
>are the main culprits.
>
Right on!!!!!!
>
>> CD-Rom features? - please just give me the website addresses (and a
>> password if necessary).
>>
>> Video clip? - that's what DVD-Video is for. I'd rather have audio only
>> releases, interspersed with well-thought out DVD-Video releases, than
>> an assortment of bitsy "extras" on cluttered DVD-A's.
>>
>> Lyrics on the disk? - that was one feature that really excited me when
>> I first went into DVD-As, until I discovered that I was expecting
>> scrolling lyrics as the music played, whereas the reality was some
>> eye-wearing static pages on the TV screen separate from the music.
>> Give me a booklet anyday.
>
>
>Since all those features are available on DVD-A and unavailable on SACD I'd
>say that's a plus for DVD-A.
>
You miss my point. They're badly done in DVD-A, and therefore better
done on the media designed for the job; in this case DVD-V or a
booklet.
>
>> Of course it is now a long time since I bought a DVD-A, and perhaps
>> Things Have Changed. If so, I'll be glad to hear the other side of the
>> story.
>
>
>You now have.
Sorry, it hasn't convinced me!
Cheers,
Peter
Peter Allen
03-05-2005, 08:19 AM
On Sun, 13 Mar 2005 13:07:08 +0800, "Alan Rutlidge"
<rutlidge@<No_Spam>.iinet.net.au> wrote:
>
>"Trevor_S" <bill@gates.com> wrote in message
>news:1110685066.39fd2d66135701cadccffc7126ca08b7@t eranews...
>> "Alan Rutlidge" <rutlidge@<No_Spam>.iinet.net.au> wrote in
>> news:4232cbb8$0$5501$5a62ac22@per-qv1-newsreader-01.iinet.net.au:
>>
>> <snip>
>>
>> >
>> > The format isn't without its problems. The CD layer is not 100% Red
>> > Book compliant and may not play in some CD players. I found the
>> > easiest way to get around this is to simply copy the CD side onto a
>> > CD-ROM and play them back on a player that plays CD-Rs.
>>
>> All very ileagel of course and in breach of copyright.
>>
>> --
>> Trevor S
>>
>>
>> "Unthinking respect for authority is the greatest enemy of truth."
>> -Albert Einstein
>
>Trevor are you suggesting I am advocating the pirating of music?
>Just to put the record straight I'm simply reporting my observations on the
>format.
>
>Cheers,
>Alan
>
I know you guys are joking...........but the situation as described is
exactly what should not be against any law. It certainly is not
pirating (who is the CD-R being sold to, indeed even being given to).
No, it is reasonable usage by a person with a legally purchased
product, who is copying part of it to another format to make it
usable.
If that's against the copyright law, than the law is an ass (as
someone said).
Cheers,
Peter
Alan Rutlidge
03-05-2005, 08:19 AM
"Peter Allen" <pdaNOSPAM@melbpcDOT.org.au> wrote in message
news:mhfb315jg435vpq83oh7l2csr2j70efcov@4ax.com...
> On Sun, 13 Mar 2005 11:18:34 +1100, "Italo"
> <italotettoni.nospammingallowed@gmx.net> wrote:
>
> >"Peter Allen" <pdaNOSPAM@melbpcDOT.org.au> wrote in message
> >news:ljs5315latdd01toerkp397ffc0972lm0c@4ax.com...
> >> On Sat, 12 Mar 2005 19:00:03 +0800, "Alan Rutlidge"
> >> <rutlidge@<No_Spam>.iinet.net.au> wrote:
> >
> >> Let me state my bias first, though it is the bias of experience. I
> >> started getting into high resolution audio and multichannel with an
> >> SACD player and the trialing of both DVD-A and SACD disks about 3
> >> years ago. I have no doubt that the DVD-A format is equal in quality
> >> to SACD, so I am not going to criticise either on those grounds.
> >
> >
> >Yes but then you proceed to do just that without much technical
> >justification.
> >
>
> No, you are dead wrong.
>
> Nowhere do I compare or comment on the relative merits of the
> fundamental SACD or DVD-A audio formats (ie DSD vs MLP-compressed
> PCM).
>
> All I said was that I find both well-recorded SACD sound, and such
> well-recorded 96 kHz PCM that I have heard (not exactly DVD-A, but a
> good indicator), to be stunning, compared to CD. And Dolby Digital to
> be an embarrassment in the company of CD. There's nothing terribly
> revolutionary in that.
>
> I DO compare the backwards compatibility of DVD-A and SACD, and the
> practicability of the two media, and my perception of the focus and
> function of their design. Those comments remain valid, for me at least
> :-)
>
> >
> >> However, I am interested in many kinds of music, whether classical or
> >> not, and I ended up devoted completely to SACD for the meantime. Why?
> >>
> >> 1. Repertoire.
> >>
> >> 2. Repertoire.
> >>
> >> 3. Repertoire.
> >
> >
> >As it happens most of the 'repertoire' on SACD is owned by SONY or its
> >subsidiaries
> >
>
> Said without justification, and certainly not reflected in my
> collection.
>
> But does it matter? Even if it were true, anyway you put it, you're
> only reiterating my point. The format which provides the music we want
> to hear is the one we will buy, which is stating the bleedin' obvious.
>
> But, if you want to get anal about it, here's the stats for what I
> have, which is 66% classical, 34% jazz, blues, folk & "rock".
>
> I grant you Sony/Columbia leads the pack, but it in no way dominates
> the whole, even with "subsidiaries". However even that top position is
> skewed, since the only big SACD package purchase I've made is the
> Columbia Dylan box set. Take that out, and Sony/Columbia drops to 3rd
> place, beaten by Channel Classics and Harmonia Mundi. In the mid-term,
> I think that's closer to being realistic.
>
> If there's a salient point in gere, it's that my SACD collection is
> dominated by independent and specialist companies. And if the
> percentages add up to 105%, well, that's rounding for you.
>
> Sony/Columbia 20%
> Harmonia Mundi 10%
> Channel Classics 10%
> Chandos 6%
> Telarc 5%
> Linn 4%
> Abkco 3%
> Phillips 3%
> Pentatone 3%
> Decca 3%
> BIS 3%
> DMP 3%
> Hyperion 3%
> San Francisco Symphony 3%
> DG/Archiv 2%
> Virgin 2%
> Audio Fidelity 2%
> Mobile Fidelity 2%
> One Little Indian 2%
> Praga 2%
> Chesky 2%
> Marc Aurel 2%
> Bona Nova 1%
> RCA 1%
> Vanguard 1%
> Audite 1%
> Geffen 1%
> EMI 1%
> Verve 1%
> Analogue Productions 1%
> Rounder 1%
> Chess 1%
>
> >
> >> 4. The ability to play discs on any CD player (car, kitchen, bedside,
> >> portable, friend's place etc). Only applicable to hybrid SACDs of
> >> course, which means essentially all new ones for some time now.
> >
> >
> >Do a search on google regarding SACD and problems playing in standard CD
> >players as well as DVD players, you'll find plenty of examples.
> >
>
> I have hit no problems with a dozen or do CD players, including car
> players, portables, boom boxes and CD decks, nor has anyone else I
> know. This doesn't suggest there is a major problem.
>
> How many people who don't have problems rush to a forum to advertise
> the fact? You need more than complaints registered online - a more
> scientific approach is needed which gives an accurate idea of the
> percentage of problems with players of different types and ages.
>
> I'm not so stupid as to try playing a hybrid SACD on an ordinary DVD
> player. Why WOULD you expect that to work? These players aren't
> designed to filter out the existence of an SACD layer, they're
> designed to play single and dual layer DVD-Vs. And hybrid SACDs only
> claim to be playable in a CD player, not a DVD player that happens be
> compatible with CD as well.
>
> Having said that obviously there will a few cases of incompatibility.
> Heck, I've had a number of CDs over the years that will play on one CD
> player and won't on another. Manufacturer's tolerances etc. It's the
> same (worse, in fact) with DVD-Vs on DVD-V players.
>
> In any case, CD player manufacturers have long been aware that their
> players are expected to be able to play hybrid SACDs, since the
> overall thickness of the disc, and the characteristics of the CD layer
> comply with the CD standard.
>
> DuoDisk has a much, much bigger problem in this area, and little
> repertoire. The designers of DVD-A didn't even start off considering
> that it might possibly be a good idea to be compatible with the
> current existing music standard of CD (those that suggested it were
> outvoted), so what's YOUR point?
>
> >
> >> 5. A clear perception that SACD had been designed for the music lover
> >> and was developed "out of" CD, whereas DVD-A seemed to come more from
> >> a "DVD-Video" mindset.
> >
> >
> >SACD came straight out of the fact that SONY was going to lose the
lucrative
> >copyright to CD manufacturing technology and needed to come up with
another
> >propretary format, again all the info is freely available on the net.
> >
>
> G'arn with your conspiracy theories. Of course companies want to make
> money, but this is fundamentally about riding the DVD-Video wave to
> develop a better quality sound medium. Are you against that?
>
> If you don't want it, don't buy it.
>
> >
> >One indication of this is that the only
> >> "backwards" compatibility mandated on DVD-As was a Dolby track.
> >
> >
> >Or a DTS track or a stereo track etc... it depends on disc and
manufacturer
> >not on the DVD-A standard.
> >
> >
>
> Read my fingers. These other formats are optional. Dolby is mandated.
>
> That's why ALL DVD-As have a Dolby track, but only A FEW have DTS or
> stereo PCM.
>
> IMO they should have had 48kHz PCM mandated as well, so you would have
> DAT standard audio which is playable on any DVD player. It's a
> different approach to hybrid SACD, but it makes a bit more sense.
> However, perhaps that's not technically feasible on a one-sided DVD-A
> disk?
>
> >This
> >> has two problems - firstly a music lover (who doesn't haver to an
> >> audiophile) might have no interest in cinema or TV and home theatre,
> >> and therefore not be able to play the disc in any form regardless. Or
> >> they might have a DVD in a TV area with sound adequate (to them) for
> >> cinema, and stereo equipment for music listening elsewhere. Secondly,
> >> you don't have to have particularly Golden Ears to find Dolby at these
> >> compression rates unacceptable as a purely musical source. You can get
> >> away with a lot if there is a film to distract attention, but it must
> >> be remembered that we are talking about a music medium here.
> >
> >
> >Since there are many SACDs out there which can only be played on SACD
> >players your point about compatibility is?
> >
>
> Basically that the non-hybrid SACD is a rarity in recent releases.
>
> In more detail, firstly, that the position of the person with interest
> in audio and not video, and having equipment to suit that preference,
> is as follows:
>
> 1. This person can't play any DVD-As without buying extra equipment.
> And he will want a DVD-A player that doesn't require a TV attached for
> OSD setup or use.
>
> 2. These days I see very few new SACDs that aren't hybrid. Therefore
> this person can play most SACDs through their CD player, and without
> buying new equipment.
>
> 3. All this person requires to play any SACD (hybrid or not) is an
> SACD player, of which there are many that don't have DVD-V capability
> and have no requirement for a TV to be fully useable. I have one of
> these myself - it behaves exactly like a CD player in its basic
> functionality.
>
> Secondly, that a person interested in audio quality, but without a
> DVD-A or SACD player, and with a CD player and a DVD player, will find
> the Dolby Digital on DVD-A of poor quality compared with the CD layer
> of a hybrid SACD.
>
> >
> >> 6. You guessed it, repertoire.
> >
> >
> >See point 1-3
> >
>
> See response to same :-)
>
> >
> >
> >> Further to point 5, I will say that, even without a DVD-A player, some
> >> discs did give me pleasure, but by and large these were produced by
> >> very specialized, enthusiastic and SMALL companies.
> >>
> >> These discs tended to be ALREADY two-sided, and have up to 24 bit,
> >> 96kHz stereo PCM versions available through a DVD-Video player and a
> >> suitable A/V amplifier, and the quality of this can blow me away. The
> >> others that were sonically satisfactory, but rare, had DTS at 1500
> >> Kbps (cf Dolby's maximum of 448 Kbps).
> >>
> >> So where does this leave DualDisc? I don't know really. Obviously
> >> there is potential to obviate the previous lack of backwards
> >> compatibility with a genuine music audio standard rather than a cinema
> >> standard, but I wonder how these discs will fare in car players, for
> >> example. There always was the possibility of mandating CD or higher
> >> quality when the discs were used in DVD-V players, as indicated by the
> >> examples above, but this was the road not taken. Whereas, the SACD
> >> group knew they could include a CD layer on the same side as the SACD
> >> layer from the start.
> >
> >
> >Again do a search on google and see how many problems people have had
> >playing SACDs on either their car CD players and/or standard CD player.
Also
> >how do you play discs which are strictly SACDs without a SACD player?
> >
>
> First point you're repeating. Second point, answer is you can't. But
> you knew that.
>
> I think you're just being stubborn about hybrid SACD being so much
> better designed in the first place and so far ahead of DuoDisc. If
> Duodisc turns out to be a goer and cheap, so be it. It doesn't worry
> me and I'm ready to change formats if it pans out that way. I'm just
> stating facts as I experience them at this moment. We live in
> revolutionary times.
>
> In fact, I doubt that DuoDisc is the crucial factor in what happens
> over the next two or three years. That time is going to dominated by
> high definition video format wars, and along with that goes the
> decisions made about audio on those disks. It seems likely that the
> audio will be CD quality, and possibly better than that. If the
> latter, then the landscape changes completely for SACD and DVD-A. I
> ain't laying bets on anything!!
>
> >DVD-A discs from day one can be played on any DVD players regardless of
> >whether it is a DVD-A player or not. The manufacturer rightly guessed
that
> >CD only players would eventually disappear.
> >
>
> True at the low end of the market, and bad implications for people
> forced to buy DVD players just so they can play their CDs. You simply
> don't get the same quality for the same money.
>
> Very untrue for mid and high end equipment. Indeed, there has been a
> resurgance lately in good stereo equipment (no surround capability)
> and in high-end CD players.
>
> >
> >> Repertoire is another problem - if sticking a CD on the back of a
> >> DVD-A is going to make the medium, then there's a lot of catching up
> >> to do, and I wonder how easy it is to manufacture these disks.
> >
> >
> >About as easy as manufacturing a double sided DVD-video disc or a dual
> >layerd SACD disc I'd say.
> >
>
> Well, if that were true, it wouldn't have taken so long to figure out
> the layer thickness limitations etc that delayed the concept for so
> long. The DVD consortium has being struggling for years to get a
> viable design that incorprates a CD layer onto DVD-A.
>
> >
> >> I look at the above specific track listing, and the words that come to
> >> mind are "dog's breakfast". All those audio formats - why can't we be
> >> given the music in high quality form and be allowed to make copies
> >> into other formats as we see fit, so long as it's only for our own
> >> purposes (ie reasonable usage rights).
> >
> >
> >Agree with you there, maybe you should write to SONY about this since
SONY
> >are the main culprits.
> >
>
> Right on!!!!!!
>
> >
> >> CD-Rom features? - please just give me the website addresses (and a
> >> password if necessary).
> >>
> >> Video clip? - that's what DVD-Video is for. I'd rather have audio only
> >> releases, interspersed with well-thought out DVD-Video releases, than
> >> an assortment of bitsy "extras" on cluttered DVD-A's.
> >>
> >> Lyrics on the disk? - that was one feature that really excited me when
> >> I first went into DVD-As, until I discovered that I was expecting
> >> scrolling lyrics as the music played, whereas the reality was some
> >> eye-wearing static pages on the TV screen separate from the music.
> >> Give me a booklet anyday.
> >
> >
> >Since all those features are available on DVD-A and unavailable on SACD
I'd
> >say that's a plus for DVD-A.
> >
>
> You miss my point. They're badly done in DVD-A, and therefore better
> done on the media designed for the job; in this case DVD-V or a
> booklet.
>
> >
> >> Of course it is now a long time since I bought a DVD-A, and perhaps
> >> Things Have Changed. If so, I'll be glad to hear the other side of the
> >> story.
> >
> >
> >You now have.
>
> Sorry, it hasn't convinced me!
>
> Cheers,
> Peter
Peter,
Interesting reading, but are your references to "DuoDisc" a repetitive
misprint? I thought the thread was discussing "DualDisc" ?
Also you wrote:-
"Nowhere do I compare or comment on the relative merits of the fundamental
SACD or DVD-A audio formats (ie DSD vs MLP-compressed PCM)."
Just so some readers don't get the wrong impression - MLP is not a
"compressed" or perceptual encoded audio format like MP3, Dolby Digital, dts
or AAC, but a method of storing high resolution audio in a lossless reduced
data bitrate format. Kind of like the WinZip or PKZip for audio. What you
put in you get out with nothing lost in the translation. Decompression is
done on the fly during playback by the player.
Cheers,
Alan
Peter Allen
03-05-2005, 08:19 AM
On Mon, 14 Mar 2005 10:45:20 +1300, "newsreader" <nocom@com.com>
wrote:
>
>"Peter Allen" <pdaNOSPAM@melbpcDOT.org.au> wrote in message
>news:ljs5315latdd01toerkp397ffc0972lm0c@4ax.com...
>>
>> Let me state my bias first, though it is the bias of experience. I
>> started getting into high resolution audio and multichannel with an
>> SACD player and the trialing of both DVD-A and SACD disks about 3
>> years ago. I have no doubt that the DVD-A format is equal in quality
>> to SACD, so I am not going to criticise either on those grounds.
>> However, I am interested in many kinds of music, whether classical or
>> not, and I ended up devoted completely to SACD for the meantime. Why?
>>
>> 1. Repertoire.
>>
>> 2. Repertoire.
>>
>> 3. Repertoire.
>>
>
>If repertoire is a major factor why even bother with SACD ?
>
First, for the music. :-)
Second, for the better inherent sound capability of the SACD medium,
compared with that of the CD medium (of course, what's realized in
practise is variable).
Thirdly, because there is much more music ***that I want*** on SACD
than DVD-A, which of course is the context of my original statement
quoted above, and therefore the context in which I expect discussion
to proceed.
If a release I want is only available on CD, I buy the CD.
If a release is available on CD and SACD, I buy the SACD.
>As italo sez most of the repertoire is from the Sony/Columbia catalogues.
>
I would be interested to know how you justify your statement. It isn't
true in terms of the music that I want to buy (see the next para), it
isn't true in terms of the SACDs that turn up in Australia, either in
general mass market record shops, or specialist classical/jazz shops.
As it happens 80% of my SACDs are NOT Sony/Columbia, and that number
would be greater if I were not a Dylan fanatic (17 SACDs, with at
least 2 more remasters possibly in June, for any similarly minded
people out there). The most interesting and surprising thing is that
SACD has been embraced by so many independent and specialist
companies.
You and Italo seems to have some problem with the fact that, like it
or not, big companies are only big because they sell the most product.
Your implied criticism just isn't a sensible argument in the first
place.
Perhaps you should have considered my reply to Italo before rabbiting
on. See that reply for one person's breakdown of their SACD purchases
by issuing company.
>If you are concerned with sound quality, SACD doesn't factor much either.
>
I'm concerned with sound quality, and that's why I buy SACDs. In fact,
there isn't any other reason for anyone to shift to SACD or DVD-A.
The current situation is quite different to that at the introduction
of CD, where sound quality issues were only part of the story - there
were also practical issues of random access, ease-of-use, resistance
to damage etc, not to mention the sheer sexiness of those shiny silver
discs and the magic word "digital". I'm not saying these were all
sensible reasons for the success of CD, but they did contribute.
>There are several Redbook CDP's that will (at a cost) easily sound better
>than SACD.
>
Yes, I'll accept that; several, "at a cost" (stereo only, of course,
but let's stick to stereo for the sake of the argument). You make the
case for SACD or DVD-A beautifully.
SACD players have only been around for a few years and the technology
is cutting edge. Engineers are still experimenting with the design of
players to get the most out of SACD.
Commercial CD players have been around for nigh a quarter of a
century, the technology is cheap and old hat, and both software and
hardware engineers have learnt how to make the most of the medium. Do
you remember how bad the early model CD players sounded compared to
today's?
Yet a cheap well-designed SACD can only be matched or beaten by a more
expensive CD player.
This is excellent news for consumers and a solid argument for stereo
SACD (or DVD-A, if that's your preferred poison).
Then, if you value surround for it's contribution to musical reality
or the broadening of musical effect capability, SACD and DVD-A are in
a different ballpark.
>IF you already have a sizable Redbook CD collection, buying one of these
>makes better sense than getting into a stillborn formats like SACD or DVD-A.
>
Huh?
Does that mean no cylinder collectors should've got into disks, and no
78 collectors should've got into LPs, and no mono LP collectors
should've got into stereo......etc etc?
What a strange argument. If that was the way it worked no product
subsequent to the Edison cylinder would have got off the ground. Come
to think of it, we wouldn't have any recorded music, since no-one
would have bought Edison cylinders or the players (because no-one was
buying Edison cylinders etc).
I think our consumerist nightmare is predicated on rather different
premises.
So is SACD stillborn? Only if people refuse to buy the product. I and
many others do buy the product, so I would judge your suggestion
premature and unhelpful. Why all the panic? If it happens that future
developments supercede SACD, I'll just move on and play the SACDs I
have.
I guess I have a sizeable enough SACD collection taking into account
the time SACDs have been available and the time I've had equipment to
play them.
I also have a distinctly sizeable CD collection, and LP collection
too, for that matter, and maintain the equipment to play them.
If people had used your argument at any time between 1983 and circa
1986, no-one would have bought CDs or CD players, and the format would
have died, very quickly. I remember, even after the launch of CD,
arguments that CD would never take off, and that it was likely that a
card based storage system with revolving reading mechanism on the
verge of being marketed would wipe CD out, because the cards would
cheaper and easier to produce compared to CDs. Nevertheless, it didn't
happen, and CD prospered. What do you pay for CD-Rs now - 17¢, 50¢? Do
you remember the shortages of CDs in the early days due to lack of
plant, and various technical glitches that had to be ironed out?
But, back to SACD/DVD-A. In times like these, you have to judge the
market, and make decisions according to your own lights and needs
about when, or if, to jump.
Remember, there is reverse side to this argument. If universal players
and SACD and/or DVD-A and/or some alternate high resolution audio
format becomes standard in place of CD, then every CD you buy now that
you could have purchased in SACD or DVD-A may well be regarded as a
regretted opportunity later . An example is my CD of Björk's
Vespertine - now a museum piece - even in its stereo form it was
pushing just about as far into an impression of surround as stereo can
be expected to go.
Cheers,
Peter
Peter Allen
03-05-2005, 08:19 AM
On Tue, 15 Mar 2005 20:08:22 +0800, "Alan Rutlidge"
<rutlidge@<NO_SPAM>iinet.net.au> wrote:
>Peter,
>
>Interesting reading, but are your references to "DuoDisc" a repetitive
>misprint? I thought the thread was discussing "DualDisc" ?
>
Yup, just got the wrong name in my head. An extended senior moment.
Neither seems terribly inspired naming, now that you make me think
about it!
>Also you wrote:-
>"Nowhere do I compare or comment on the relative merits of the fundamental
>SACD or DVD-A audio formats (ie DSD vs MLP-compressed PCM)."
>
>Just so some readers don't get the wrong impression - MLP is not a
>"compressed" or perceptual encoded audio format like MP3, Dolby Digital, dts
>or AAC, but a method of storing high resolution audio in a lossless reduced
>data bitrate format. Kind of like the WinZip or PKZip for audio. What you
>put in you get out with nothing lost in the translation. Decompression is
>done on the fly during playback by the player.
>
Yes, everything you say is right and a useful clarification for those
who don't know - I just didn't see the need to distinguish in the
context I was writing in, which was hi-rez audio. Of course MLP stands
for Meridian Lossless Packing. If that is remembered, there can be no
confusion.
I guess I tend to assume people know, or will get to know, that
compression of any file or data stream (not the same sort of problem)
can be lossy or lossless.
I don't agree with your word usage distinction with "compressed",
referring to lossy formats such as MP3, and "reduced data bitrate",
used for lossless formats like MLP. The latter sounds like a
euphemism, and indeed doesn't do the the job anyway, since lossy
formats are also "reduced data bitrate". After all, that is the point
of compression! :-)
I believe "compression" is the accepted usage. The crucial
distinctions are there already - is the compression "lossy" or
"lossless"? If what comes out is bit-for-bit identical to what goes
in, then the scheme is lossless; if it deliberately isn't then it is
lossy.
The advertising for SACD is amusing in terms of Directed Consumer
Confusion (DCC, not to be confused with the admirable but sadly
defunct record company). The astounding sample rate is emphasized,
suggesting it is a PCM system and that comparing DSD sample rates with
PCM sample rates is significant. Not so widely mentioned is the fact
that each DSD sample is just 1 bit, and the processing system is
completely different! So, it's apples and oranges. And, in effect DSD
is a lossless compression scheme too, but in an entirely different
manner. But that's another story.
As regards DTS, both higher quality lossy as well as lossless forms
have been developed, and it is likely these will be available,
probably mandatory, in the next generation of high-resolution digital
video disks (which are going to be the centre of much attention in
2005/6 as commercial versions are released).
Cheers,
Peter
PS Is everyone confused now? Excellent - mission accomplished :-)
Peter Allen
03-05-2005, 08:19 AM
On Sat, 12 Mar 2005 21:00:20 +1100, "Gregory Kleverlaan"
<g12345567@nospam.yahoo.com.au> wrote:
>A relatevely new audio format called DualDisc has emerged with the first two
>titles being released on Oct. 26, 2004.
>
>DualDisc is a new music product that combines a CD and DVD on a single disc.
>In addition to a full album on the CD side, the DVD side provides the full
>album in enhanced sound (such as Surround Sound and/or DVD-Audio or LPCM
>stereo), and also includes a wide range of special features and exclusive
>content such as music videos, interviews, photo galleries, artist
>commentaries, web links, concert footage and lyrics
>
>
>It is a format simialar to a hybrid SACD except that a DualDisc is usually
>double sided.
>
>For more information visit.
>
>http://www.surroundablog.blogs.com/
>
>And choose DualDisc down the Right hand side menu
>
>Just wondering if anybody has heard, tried or experienced these discs yet?
>Or care to commemt on this new format.
>
A forum link that may be of interest (On Mozilla I could only get the
first and last page directly, for the middle pages I replaced "first"
in the URL below with the page I wanted eg "3":
http://www.sa-cd.net/showthread/5108//y?page=first
And for FACTS on the Dual Disc from the horses mouth:
http://www.sonybmg.com/dualdisc/faq.html
Cheers,
Peter
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